The title 9-TEEN speaks to the threshold of adulthood — a moment of standing at the edge of something vast, looking up. The Unisphere, a relic of the 1964 World’s Fair, becomes a recurring symbol: a monument to possibility built from steel and ambition, now standing quietly in Queens.
The silhouette figures are deliberately anonymous — cut from dark card stock, they could be anyone. One holds their arms up to the sky; another stands with a camera on a tripod. They are observers, participants, and stand-ins for the viewer.